Maria Dolnycky's new CD, aptly titled “Poetic Moods”, is beautiful. From the moment you see the post-impressionist cover (by Olga Konoshchuk) until the last strains of Kosenko's Consolation Op.9 die away, you are liable to be dreamily transported. The pianist culminated a year of preparation in a recording done last November, at Humbercrest United.

Dolnycky chose seven Ukrainian composers for this project, with the backing of the Ukrainian Canadian Foundation of Taras Shevchenko and the Prometheus Foundation. Revutsky (1889-1977) contributes three striking pieces in the post-Scriabin idiom, all written prior to his 1934 denouncement, which foreshadowed Shostakovich's ordeal. Ishchenko's Poetic Moods, Book 1 take chromatic impressionism to lofty heights. Barvinsky, (1888-1963) another musical figure suppressed by the Soviets, here contributes two excellent works from his youth. His Prelude in G major from 1908 is a mighty piece. Shamo (1925-1982) contributes the well-mannered Prelude No.9.

Valentin Silvestrov's Piano Sonata No.1 from 1972 is the major work in this collection. Its two movements foreshadow some of the orchestral devices used today in Silvestrov's works.

It's a pity that Ukrainian composer Alexander Levkovich (now based in Toronto) wasn't asked for a work in this project, given his position as Silvestrov's protégé.

Dolnycky's playing is flawless. Producer/engineer Timothy Minthorn used all his skill. Careful listening reveals one tuning imperfection high up, but that is a mere quibble. Highly recommended.